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Perfection, Art and Manchester City

The Equitable Building was supposed to be the last of Manhattan’s skyscrapers. When it opened in 1915, it cast — in a very real sense — everything around it into shadow: a 555-foot neoclassical cliff rising sheer from the street between Pine and Cedar, looming over Broadway, condemning a swath of the Financial District to a life of permanent shadow.

Its construction spurred New York’s authorities into action. A year later, the city introduced its first zoning law, decreeing that any future skyscrapers would have to taper away from the street, so as to allow light and air to permeate to ground level.