The rocky and contentious relationship between Paul Dolan and the paying public has always been something of a rattling powder keg that is perilously close to reaching its pressure limit.
Every word Dolan utters publicly is parsed and often (rightfully) scrutinized because of his comfortably miserly ways that he has chosen to become his raison d’etre; he is the owner by simple birthright having inherited the keys to the kingdom from his father, and by being simply that, purely “the owner.” He is the one who decides what to do with his billion-dollar-worth plaything, and, ultimately, how he wants to run it.